Wednesday, December 17, 2014



DFaye Anderson

Professor B. Gleason

ENGL 0862

Dec. 2014

Response #6

Error by Joseph Harris


                        This is better than reality TV, I thought, amused by Joseph Harris’ account of the firestorm between John Rouse and Gerald Graff.  “…if he manages  a decent livelihood it is only because he has somewhere or other submitted to enough socialization to equip him to do something for which somebody is willing to pay him,” Graff wrote of Rouse in the journal College English (417). Ouch!  At least the kids in the schoolyard are direct when they disparage your heritage.  

Rouse though, was no shrinking violet.  The dispute was provoked by his criticism of the book, Errors and Expectations by Mina Shaughnessy, a colleague of Graff’s.  According to Harris, Rouse “went ferociously on the attack….” accusing Shaughnessy of misunderstanding the needs of her basic writers because she was fixated on fixing them, on socializing them to make them “acceptable” (418).

Gentlemen! Go to your corners, I wanted to tell them.  Shaughnessy’s crime was to preach grammar over substance, over ideas. Proofreading and correcting for spelling, punctuation, etc. as opposed to revising for clarity, development and organization of ideas. “A primer on teaching correctness…” is how Harris describes it (419).  In addition, the focus was always on looking for what’s wrong with  a piece of writing, and never on what is working in the piece. Rouse felt Shaughnessy was dismissive of other “Englishes” and didn’t value what students bring from their cultures.  Then too, she did portray herself and friends as “pioneers” and the students as “new frontiers,” an unfortunate choice of words at best, for a practitioner of the art of communicating with words.

What intrigued me most, was the specter of the eternal split, the dichotomy, the Great Divide that man wrestles – the separation between  body and soul.  The body is the “fix my grammar” side (Graff), concerned with physical look of a piece, the mechanics of a piece of writing. The soul then is represented by the ideas expressed in a piece. (Rouse).  The body side is also the vocational side, the “get your hands dirty” side, and the intellectual part, the critical thinking side, is connected with the soul.

In that vein, Booker T. Washington, founder of the Tuskegee Institute (my emphasis), the proponent of vocational training for former slaves, himself a former slave, would represent the grammar side and W. E. B. Du Bois, the writer, poet, journalist and race man, represents the soul.  Therein lays the rub. Shaughnessy, a former faculty member here at CCNY, had pretty fair liberal credentials.  Speaking of basic skills writers, she said, “…problems with college writing stemmed not from a lack of intelligence, but from inexperience” (418). Yet, as Harris points out, she never asks her students to make connections in their writings to their lives or to speak to their feelings. As a matter of fact, she doesn’t even have students revise their work, so the opportunity to reconsider an idea, to develop it clearly, or to change one’s mind, is lost forever.

Of course, we don’t need to revise ideas if those ideas aren’t seen as valuable. One need not go back and rework a piece for development, or even energy or rhythm, if those things are not part of the conversation.  I see validity in both sides of this argument, though, as I age and learn, I find myself moving closer to Rouse’s thinking.  Developing facility in fixing run on sentences won’t make me a better writer. Who wants to read correctly punctuated blandness?  

Works Cited

Graff, Gerald. “The Politics of Composition: A Reply to John Rouse.” Teaching  Composition.      

            Ed. T. R. Johnson. Boston: Bedford/St. Martin’s. 2008. 417. Print. 

Harris, Joseph. “Error.” Johnson 418.

Harris, Joseph. “Error.” Johnson 419.

Harris, Joseph. “Error.” Johnson 418.

Monday, December 15, 2014


DFaye Anderson

Professor B. Gleason

ENGL0862

Dec. 2014

Response #4

“Using a Scoring Guide or Rubric to Plan and Evaluate an Assignment”

            Rubrics work well for all, students, parents and instructors.  They take the mystery out of grading and clarify expectations. Rubrics serve to reduce stress.  They help to lower anxiety and reduce stress. “Using a Scoring Guide or Rubric to Plan and Evaluate an Assignment, “lays out the pros and cons of several different rubrics, suggesting which is best suited for particular work.

            The Checklist rubric is the simplest, much like a To Do list. It is asks you to cross off or check off each assignment as you complete it. Though the author suggested that the Checklist is good for grammar school, I’ve used it as a proofreading rubric

 C.apitalization

R. un on sentence

I. ndent

S. pelling

P. unctuation

 

            Students are asked to proofread in these five areas or, if their problem is only run on sentences, I have them read for that, and check it off the list.  I say that they want their writing to be as “crisp as your fried chicken.”  It’s easy to remember and helps students  who are uncertain as to what to look for when proofreading.

The Rating Scale Rubric is the kind companies and organization often use to when they measure their performance. It can be administered and evaluated relatively quickly. Though more extensive than the Checklist Rubric, it still has a major drawback. Sometimes it’s difficult to assign distinction between one category “Great” and another, “Excellent.”  I see this problem in the evaluation forms for an IEP student.

In addition, there are at least three other rubrics, the Holistic Rubric, often used to assess artistic talent, the Structured Observation Rubric, which can be used to evaluate literature and the Descriptive Rubric. We use a Descriptive Rubric to grade the Regents essays and essays written during interim and final exams. . Even though it takes longer to evaluate work with the Descriptive, it gives the better , more accurate results.

Rubrics make grading so much easier. They make students aware of the standards and can be used as guideposts, to check off as they go.

 

Reflective Essay



DFaye Anderson

Professor Gleason

ENGL 0862 Teaching Composition and Literature

6 December 2014

 

Reflective Essay

            As I consider this past semester, I am thankful for a number of things. I benefited from joining a class of serious learners, who came from diverse teaching backgrounds. My colleagues work as tutors, and as teachers of adult and ESL learners. Some of them are first time adjuncts, others, seasoned vets. A few are part of the MFA program, others from the Literacy or Literature side of the department. The diversity of voices and experiences has informed my thinking.  Take the Anti-Rubric rebels, for instance. I’ve always used rubrics in my teaching, but their perspective was so new and startling, it caused me to consider their arguments and to take a new look at my own reasoning (Just because you’ve always done it that way, doesn’t mean...!)  The jury is still out, but I am thinking about how I can use a rubric and incorporate some of their thinking.  I wa energized by the passion of my colleagues and their commitment to becoming more effective teachers. No one mailed I in.

            There was an abundance of scholarship to read and discuss, but it was a piece we read early in the semester, “Interrogating Text: From Deferent to Efferent and Aesthetic Reading Practices,” by Cheryl Hogue Smith, that had the greatest impact. “Successful readers know how to face the confusion and insecurity of reading complex texts without internalizing the sometimes destructive feelings that accompany the process of working through the confusion.” (10) Now, I knew that. I understand the role self-esteem plays in a student’s success. Yet, those words served as a reminder, and they came at the beginning of the semester. I incorporated the reference into my lessons and had my high school students, many of whom struggle with reading, discuss it.  My hope was to encourage them by pointing out that research acknowledges their confusion and identifies the feeling as universal.  Reading, for most, at some time, proves challenging, and we all experience feelings of inadequacy. This too shall pass, if you don’t give up and don’t make it personal.  Yet, Smith doesn’t let them off the hook.  “If students are ever to write successfully in the academy, thy must metacognitively read difficult and complex texts that will initially and inevitably require them to experience and endure confusion, at least for a while.”(11)  Translation: read the difficult passage, you must, read it two times, three times, if you must, because the only way to get beyond it is to go through it.
Another assignment I found insightful and helpful was to observe another college instructor and to write up the observation. This afforded us the opportunity to watch someone handle classroom management, late arrivals, students who talk too much and those who shy away from speaking. I watched as Ms. Joseph paced her class so as to get maximum effort from her students. I watched her effortlessly command respect and spoke to her afterwards about the steps she took in her first classes to build community. This assignment made me think about the choices I make in the classroom. I certainly will revise my syllabus to make it more comprehensive and I will return to some discarded practices that helped me learn about my students as people.  Professor Gleason knew it was important to expose us to other instructors and other styles and facilitated this by contacting and securing instructors willing to allow us into their classes. In addition, she brought in guest speakers, two adjuncts who shared their experience and entertained our questions.
My classmates and the readings have impacted my methodologies and my thinking, but I’ve learned the most in this class, by watching Professor Gleason teach us about teaching.  Gleason has modeled dedication, humor, openness, and employed a multiplicity of teaching strategies.

Professor Gleason employs standard methods, lecture and printed text. She utilizes the white board to outline important ideas. These are not the only tools she uses though. Gleason fosters student learning through partner and small group discussions. Those discussions helped me clarify my understanding of some of the theories, because I was able to be less than perfect in a small setting, and not worry about it.  In addition, each of us has collaborated with a classmate to make a presentation and to write a paper. Peer teaching is a valuable tool for any class at any level.  Professor Gleason also kept watch that we stayed on task in these groups and made us accountable for the time.
Most encouraging though, was to see Professor Gleason engage technology. My own computer skills are limited: I read my email, send emails, read the Sunday Times online and play a little solitaire.  Professor Gleason posted many of the readings to the CCNY Bulletin Board, so if you lost your copy, there was always another source available. Gleason had us create a blog and upload our assignments. This assignment forced me to try something I am very uncomfortable doing. The experience and watching her work so confidently, was affirming.
            Finally, Professor Gleason’s generosity impressed. She was always prepared with additional copies of the readings and gave them out, without complaint or attitude, and that had an immediate impact on my methods. I used to sell pens, 25 cents each, to students who showed up without writing utensils. After watching Gleason, it occurred to me that it was more important that we get on with the learning, as we have only fifty minutes, than lose time making a point about student responsibility (there are other places to do that). She was generous with her time, too, staying after class, on a Thursday night, to show me how to create a blog.  She was always available after class and I often left her helping, talking or listening to my colleagues, long after class was over. I’d be remiss if I neglected to talk about the bowls of Hershey’s chocolate s and other chocolates she brought in and shared.
            Be clear. Professor Gleason’s generosity was balanced by her demand for accountability. We had to revise and resubmit both major writing assignments, and I remember with humor the time she thought I was trying to escape without turning in an assignment. Professor Gleason was standing, chatting with two or three students after class had ended. Others were either packing up or talking. In essence, it was controlled chaos. It appeared that Gleason was totally engaged in her conversation with the students gathered around her. As I walked to the front of the room, on the other side from her, Professor Gleason suddenly turned from her group and asked me for the assignment.  I’ve seen her do that a number of times since. Like any good teacher, she may not see everything, but she sure sees a lot! I’ve had a great seat to watch Professor Gleason work, from my place in the back of the room, with an unobstructed view of all of my classmates and the professor.   
This is the final class of my career here at City College and, were it not my last course, I’d vote to do it again! Why? I believe this course should be taught over two semesters, to allow more time for students to grapple with the readings and practices and ideas. Time is always and forever a premium, and so I relish the opportunity to go back to some selections (and to read others for the first time), after the semester, when I’ll have time to ponder, savor and review.  I will miss though, the chance to bounce ideas off of Edwin or William or to seek Caitlin’s opinion.  That kind of interaction has been one of the highlights of this class.

Works Cited

Smith, Cheryl Hogue. “Interrogating Texts: From Deferent to Efferent and Aesthetic Reading            

            Practices.” Journal of Basic Writing 1 (2012): 5-25. Print.

 

 

 

         

           

Thursday, December 11, 2014

Writing Assignment, Rubric for the Essay


Rubric for Assessment of the Personal Essay
(maximum of 15 points for each essay)
3
2
1
0
INTRODUCTION
Background/History
Thesis Statement
CONCLUSION
Well-developed introduction engages the reader and creates interest. Contains detailed background information. Thesis clearly states a significant and compelling position or belief.
Conclusion effectively wraps up and goes beyond restating the thesis. 
Introduction creates interest. Sufficient background information is provided. Thesis clearly states the position or belief.
Conclusion effectively summarizes topics.  
Introduction adequately explains the background, but may lack detail.  Thesis states the position or belief.
Conclusion is recognizable and ties up almost all loose ends.
Background details are a random collection of information, unclear, or not related to the topic. Thesis is vague or unclear.
Conclusion does not summarize main points.
MAIN POINTS
Body Paragraphs
The main idea or a thesis statement is clearly defined. There may be more than one key point. Appropriate relevant information and details are shared from a variety of sources including personal experiences, observations, and prior knowledge. Supporting details are accurate, relevant, and helpful in clarifying the main idea(s).
The main idea can be identified. The writer shares relevant information, facts and experiences.  There is a clear distinction between general observations and specifics.  Supporting details are relevant and explain the main idea.
The main idea can be identified. The writer shares some information, facts and experiences, but may show problems going from general observations to specifics. Stronger support and greater attention to details would strengthen this paper.
More than one of the following problems may be evident: The main idea is not identifiable. The writer shares some information, but it is limited or unclear. Details are missing or repetitious.
ORGANIZATION
Structure
Transitions
Logical progression of ideas with a clear structure that enhances the thesis.  Transitions are mature and graceful.
Logical progression of ideas.  Transitions are present equally throughout essay.
Organization is clear. Transitions are present. 
No discernable organization.  Transitions are not present. Connections between ideas seem confusing or incomplete.
STYLE
Writer’s Voice, Audience Awareness,
The paper is honest and enthusiastic. The language is natural yet thought-provoking. It brings the topic to life. The reader feels a strong sense of interaction with the writer and senses the person behind the words.
Writing is smooth, skillful, and coherent.  Sentences are strong and expressive with varied structure
Writer's voice is  consistent and strong.  The writer is aware of an audience. The reader is informed and remains engaged. Sentences have varied structure.
Writer's voice may emerge strongly on occasion, then retreat behind general, vague, tentative, or abstract language. The writer is aware of an audience.  The reader is informed, but must work at remaining engaged. Sentence structure shows some variety.
Writing is confusing, hard to follow.  Language is vague.  No audience awareness.  No variety in sentence structure.
MECHANICS
Spelling, punctuation, capitalization
Punctuation, spelling, capitalization are correct.  No errors.
Punctuation, spelling, capitalization are generally correct, with few errors. (1-2)
A few errors in punctuation, spelling, capitalization. (3-4)
Distracting errors in punctuation, spelling, capitalization.

Introduction/Conclusion _______
                   Main Points _______
                Organization  _______
                             Style _______
                    Mechanics _______

Total Points ______ = grade of ______

Grade Equivalent (15 points maximum):
A =  13 - 15 points
B =  10 - 12 points
C =  7 - 9 points
D =  4 - 6 points
F =  0 - 3

Observation of a City College Instructor


DFaye Anderson

Professor B. Gleason

ENGL C0862 Teaching Composition and Literature

October 2014


One Night Only

An Observation of a City College Instructor


            As part of Professor Gleason’s class Teaching Composition and Literature, students are required to observe another instructor here at CCNY, and to write up the observation. I believe Professor Gleason wanted to give us a chance to move beyond our readings to actually watch an instructor putting the theories into practice. I chose Michelle Joseph-Matthews’ (Ms. Joseph) class, English 110. The class meets from 6:30 to 7:45, Tuesday and Thursday. I contacted Ms. Joseph and made arrangements to sit in on Tuesday, September 16th.  She was kind enough to email a copy of the syllabus.

            I arrived fifteen minutes before class began and found two students already present. There was seating, individual chair-desks, for about twenty-six.  The room, NAC 4/210, was clean, but windowless, and smaller than the conference rooms where I have had classes. Other students entered.  Several took out their notebooks or books. “Are we having a test today?” someone asks. “I doubt.” “She said we’d have a quiz next week.”

            Ms. Joseph arrived just before 6:30. Her dress was no nonsense and professional – navy blue dress with a complimentary sweater. Her jewelry was also modest, small earrings and wedding rings. Ms. Joseph’s teaching style matched her dress. Her demeanor was low key, but confident, with flashes of warm humor. She spoke slowly, clearly and evenly, standing near the desk while lecturing, but moving around and amongst the students to conference with them while they wrote.  Presentation is important, and I believe Ms. Joseph’s dress and manner set a serious tone.

            She began class immediately with a five minute writing assignment, “Dear Diary.” She told the students that the exercise “…won’t be seen or read by anyone.”  While students were engaged in this activity, Ms. Joseph wrote the day’s agenda on the board. This was a smart use of time. The quiet time helped students focus and transition from their lives outside the classroom, into an “educational frame of mind.” Once they completed their diary entry, they read the agenda, and took out the necessary materials.

            When the five minute period expired, Ms. Joseph directed student attention to the agenda and reminded students of the due date for the next assignment, a draft of a literacy narrative. Two students arrived after class had begun. One of them had to go back outside to find a chair (Sorry!). Ms. Joseph was aware of the late arrivals, and continued teaching.  She moved from the front, near the desk, to stand closer to the students and passed out a handout for the next assignment. As she interacted with students, I was impressed that she knew their names! I checked the calendar and found out that this was the sixth time the class had met. Still, I was impressed (Weekends can wipe out memory!).

            At 6:41 Ms. Joseph asked for volunteers to speak about one of the short stories they’d been assigned to read. Actually, students had the choice of three stories. Jeffrey summarized his choice (“Mother Goose…”). Ms. Joseph questioned and probed: “Why did you choose that story?”  Another student replied that he’d learned English by watching cartoons (Scooby Doo!) and movies, and several others laughed and agreed.  Ms. Joseph queried the class as to who had learned English as a second language, and of the twenty-five students, English was the first language for only eight.

            Always Living in Spanish is the name of the story the next student chose to summarize for the class. Someone else asked a Chinese student about the Chinese alphabet – “You all write backwards, right?” The student responded, but I couldn’t hear her whole response. Though interesting, this was clearly off-task and Ms. Joseph called on other students in order to refocus our attention. One woman began, and Ms. Joseph asked Hector, in the rear corner of the room, if he could hear and he replied that he couldn’t.  There was laughter and then the speaker increased her volume (I imagine that Hector is asked this question quite often and that’s why the students laughed.).  The third piece, Proficiency, was the story that most students read. Ms. Joseph asked if they’d read it because it was the shortest. Again, the class laughed.

            One student, Angel, was vocal about not liking to write. Then he clarified himself. He thought it was unfair to grade someone’s writing on a Regents, ACT or SAT. He protested that the judgment is subjective. Ms. Joseph responded that the grading was anything but arbitrary, and that it is in fact based on a rubric, on standards.  Another student complained that “it takes time to write.” Ms. Joseph asked him to repeat himself.  I believe her point was that writing requires engagement. It requires energy, and effort and time.  It is not something that one can ‘drive by’.

            Ms. Joseph then asked her students what could be taken from their readings and utilized in writing their own literacy narratives.  After a brief discussion, at 7:05, she gave students a few minutes to work on the narratives that they’d already started. She asked if everyone was clear about what they should be doing. While most worked with hard copies, one young lady had her narrative on her cell phone! I also noticed that students often responded to questions all at once, so that all you heard was white noise. When this happened, Ms. Joseph asked for clarity by asking for a “show of hands.”

            While students worked quietly, Ms. Joseph moved around the room, stopping to talk with students about their narratives. Steven asked for clarification of the elements of rhetoric. Ms. Joseph responded – purpose, audience and stance. One of the late arrivals reminisced about her high school days. She said that she had never really attended school, had shown up for the Regents and scored a 98. The class was quiet, either in awe or disbelief. Steel fist in a velvet glove, with humor, Ms. Joseph made it clear that the student wouldn’t get a 98 in this class if she were to absent herself in a similar manner.

            Ms. Joseph continued to confer with individuals while they worked on their narratives. When she heard talking she asked, “Are you discussing the story?” The students responded that they were, but they stopped the talk and went back to writing. 

            At 7:15, she began to pair students up, in order to read and discuss their narratives. Some students continued writing and others began discussing their work with a partner. Though there were different activities going on simultaneously, the students never became loud or boisterous.  They used their library voices. Those doing peer editing were encouraged to “ask questions for clarification” and make suggestions.

            At approximately 7:25 Ms. Joseph broke up the duos. She again reminded students of the typed draft and the due date for the draft. She told them, “Don’t focus on the grade. Focus on the work (No drive bys!).”  She reiterated “the need to avoid procrastination.”

            Then Ms. Joseph told the class to, “Put away your writing,” and the class shifted to work on grammar and mechanics. She wrote several homophones on the board:

Their/There                  Who’s/Whose

She also explained the rules for “To who? (subject) and whom? (object=direct). Even though we were nearing the end of the class, students paid attention, asked and answered questions. Research has shown that students tend to remember the first and last things said in the classroom, so it was a wise move to save the grammar lesson, something that can be a bit tedious, for the end.  The mini lesson didn’t try to tackle a complex topic, but tackled something manageable, that could be explained in a short period of time.

            A student asked a question about the assignment and others began to put away their books and notebooks, making noise, and mentally “checking out.”  Ms. Joseph asked all to be still for a moment, so that they could hear the answer to the question. After answering, she asked specific students to stay behind to speak with her, including the student who had aced the Regents with a 98.  The other students began to pack up and leave. In simple words and an even tone, Ms. Joseph informed the student that she was missing an assignment. The student insisted that she’d emailed it, and Ms. Joseph responded that she hadn’t received it. The student insisted she’d sent it, and verified the instructor’s email address. Ms. Joseph asked that the student forward the same email to her address. Finally, she advised her to get to class on time because she’d be closing the door to late arrivals in the future (The syllabus clearly spells out the attendance and lateness policies). The student apologized, agreed and left. Other students stayed behind to ask questions: “Was it wrong to choose the Mother Goose story?” Jeffrey asked. Ms. Joseph assured him that it was the right choice for him, and that she was glad that he hadn’t made his choice based on the length of the story. “I’m not sure about my thesis,” another student told her.

After she advised this student of his options, he left, leaving us alone. We chatted for a few minutes, and I found out then that most of her students were studying to become engineers. They appeared to be 18, 19 or 20. Perhaps five could be classified as Caucasian. There were, at most, two African Americans and five females. The majority of her students appeared to be of either Middle Eastern descent, from the Indian peninsula or Asia.  I thanked Ms. Joseph once more for allowing me to observe her class.  She closed by asking me to be honest in my observation. “I’ve got tough skin,” she said, and she welcomed the opportunity to see herself through someone else’s eyes.

Commentary 

            Besides my admiration for Ms. Joseph’s memory, I was also impressed by the syllabus. Hers was the most detailed and thorough that I’ve ever seen. Seven pages long, it covers everything I could imagine, including ways to contact her, her office location and hours, learning outcomes, grading and attendance policies, assignment and assessment dates, expectations for behavior, the academic integrity policy and required materials. It closes with a calendar of the due dates, readings and even days off.   Though the tone of the syllabus is serious and forthright, Ms. Joseph used it to encourage students  to conference with her at least twice in the semester, once, early on, to assess strengths and challenges, and later, about mid-term, to discuss progress and further direction. “Classes are collaborations between teachers and students, but in the end, you are responsible for your own education,” she wrote in the syllabus.           

            After class, I thought about some of the challenges of working with students from different cultures and traditions. I wondered what it might be like, especially as a woman, to teach a class where the majority of the students are young males. I expected some macho bravado, some posturing, but I saw none of that.  Students seemed comfortable, with each other and with the instructor. It was evident that she had done some community building and commanded their respect. They stayed engaged and, for the most part, on task.

I want to close this section with an observation about the physical space. The classroom was located in the North Academic Center, room 4/210. I was surprised at the size of the very small room and the number of chairs squeezed into the room. Without a window, I had a sense of being penned in.  If the students were uncomfortable though, it was not clear. The chairs weren’t arranged in neat rows, but were grouped instead towards the back of the room, close together. It may have even facilitated the comfort the students had with one another. It certainly facilitated peer editing.


What I’d Steal

       I think writing the day’s agenda on the board is a tool I can use. People tend to cooperate more readily if they know where you’re leading them. As mentioned earlier, Ms. Joseph’s syllabus is a document a student can depend on to answer most questions.  I want that kind of clarity and thoroughness in my syllabus. She also gave students choice in the selection of readings, but provided clear structure and support. I think the pacing of the class was dynamic as well. She spent the right amount of time on each task, mixing things up (individual work and partner work, whole class discussion, opportunities to think and write and a grammar class to close), to keep things interesting.  If a student wasn’t certain on some point, Joseph provided opportunities to raise questions, and checked to see that any confusion was cleared. There was no time to get bored, yet nothing felt rushed. Research shows that students tend to remember the first thing you say in class and the last thing you say and Ms. Joseph’s last task was the short grammar lesson. She reminded the students again of their deadline for the next assignment. As a matter of fact, she mentioned the assignment three times, near the beginning of the class, midway through and at the end. Some might suggest that that is overkill, but I’d disagree.  The repetition is helpful, and the kind of support some freshmen need.

Initially, I didn’t believe Ms. Joseph should have told students that the “Dear Diary” entry was not going to be graded. Grades are great motivators and, with nothing at stake, I feared students might “slack off.” Upon further consideration though, I’m on the fence now. Ms. Joseph’s students did not “slack off.”  For some students, writing is so wound up in defeat and angst, the opportunity to get the writing started, and not have to worry about being judged, might actually free them up. I think that you have to know your population, and decide how to approach, depending upon the level of maturity of the students.


Acknowledgements


            Thank you Professor Gleason for arranging this assignment. I dreaded giving up any of my limited time, even though I knew it would prove beneficial. Thanks too, to Ms. Joseph for your help and hospitality.

Writing Assignment, "Why I Did What I Did"


English 110 Freshman Composition

DFaye Anderson

 

Why I Did What I Did

 

     I decided to have my students in English 110 explore their experiences learning to read and write in English. Immediately, I thought of the excerpt from The Autobiography of Malcolm X, where Malcolm writes about his embarrassment at his deficiencies reading and writing Standard English. I chose this passage for several reasons. I chose it because it features an international figure whose headquarters lies in the shadows of City College. I chose this excerpt because it is rendered beautifully in Spike Lee’s film, X, and I plan to use it to differentiate my teaching. Malcolm’s speeches and other writings are readily available online. But the main reason I chose this selection is that Malcolm X was a man who changed and grew over time, emotionally and intellectually, as he gained new knowledge. Barely literate when he entered prison, he developed into one of the most electrifying writers and speakers of his era. The passage shows how a man worked and improved his abilities as a reader and writer through his own effort and determination. One of his strategies, copying, is a technique many instructors use to teach composition today. I believe his example can inspire.

     As the last activity in class on Tuesday, March 11, I’ll pass out copies of the excerpt and have students read, and then copy only the biographical introduction to the excerpt. I’ll direct them to pay attention to the facts, which we will discuss, and give them a bit more background information, but I also want them to pay attention to the tone of the writing, the rhythm and flow of the sentences. Do they vary in length? Are there short simple sentences or complex, compound sentences? Are there transitional phrases? How do they help you? How does the reading “feel”? Slow and plodding, or easy and fluid? I will discuss the difference between plagiarism and the history of copying as a technique to improve one’s writing, dating back to the ancients and coming up to the modern era, a technique employed by Tony award winning playwright, August Wilson.

     Their homework will be to complete and annotate the rest of the passage. Annotating will require a closer reading and encourage students to make connections and look for similarities or differences between their experiences and Malcolm’s. I think it moves readers from the position of a passive receptacle to the active role of commenting, questioning and reflecting on what he or she has read.

     After completing the passage, students will have to complete the 5Ws chart, an effective tool for highlighting important information, which can later be used to quickly refresh one’s memory. This must be completed and brought to the next class.

     The next class, on Thursday, March 13, begins with a five minute free write. I will tell them that this writing will not be graded for grammar or content. Then, we’ll take a look at the scene from Spike Lee’s film about Malcolm X as a way to begin our discussion. Some discussion questions I might ask include

a) Initial reactions and thoughts

b) Malcolm’s skills with a language other than standard English and their abilities with other languages

c) Motivations

d) Learning by copying

e) Students’ difficulties learning to read and write

 

At this point, I’m going to ask the class to take 3 minutes and brainstorm their own experiences learning to read or write. Then, I’ll have them share and discuss their brainstorms with a neighbor and expand them.

Now I’ll introduce the assignment. We’ll discuss the instructions, rubric, drafts and due dates. I’ll strongly encourage students to set up a conference during my office hours or via Aim on the internet. Those unable to get to me through one of these two methods will be directed to get to the Writing Center. We’ll also take a look at a sample from an earlier semester. We’ll close by starting the homework in class, devoting about ten minutes to the task. I’ll remind them of the due date for the draft and the need to conference with me or someone at the Writing Center.

The next class, March 18, will begin with a directed free write about an author or book that they’ve enjoyed and will share this with a neighbor.

We’ll take a few minutes to read through sample papers from former students. Actually, I think I’ll have them break into small groups of 3-4 and read and discuss a sample. We’ll come back together to share out our discoveries. Questions I’ll ask them to consider while reading:

a) Is the story told chronologically? If not, how does the writer relay her experience?

b) Does the essay focus on one event or incorporate several similar events?

c) Does the topic sentence capture your attention and make you want to read further?

d) Does the writer use transitions?

e) Does the writer provide a conclusion that ties all of the experience together?

I’ll give them in-class time, 15-20minutes to revise the draft.  We’ll close with a grammar lesson on using transitional phrases. The first draft can be given to me in class on the 18th of March or sent to me electronically.

On Thursday, March 20 I will return the students’ first drafts with comments. Several students will be asked to share parts of their essays. The second and final draft is due on Thursday, March 27. I will again encourage students to see me individually or to visit the Writing Center.

By the following Thursday students will receive their final drafts.